Gold Medal: Remain in
Light by Talking Heads
I remember the first time I heard this record as a teenager, I thought,
“What the hell is this weirdness?” But after a few listens, I caught the funky bug and
was hooked. I’ve heard this album described as a man’s life summed up in 40
minutes, from the opening shout of “Born Under Punches” to the droning fadeout
of “The Overload.” Who knows if that’s what Byrne and company desired but no
matter how you think of it, this album is one lively set of songs. Inspired by
African rhythms as much as sonic experimentation, Remain in Light is a true
classic never to be replicated.
Silver Medal: Peter
Gabriel (Melt) by Peter Gabriel
Peter Gabriel is one of the great dramatists of rock. Though
I’m more familiar with his work with Genesis, this thespian touch carries over
into his solo career. Melt kicks off
with “Intruder”, one of the creepiest tracks you’ll find from a mainstream
rocker. And as the record continues, PG adopts a multitude of different characters,
such as the amnesiac of “I Don’t Remember” or the children’s narrator of the satirical war tale “Games Without Frontiers.” Oddly enough, African influence is also
found on this album, particularly in the civil rights anthem, “Biko.” Add the
synthy production and you have another remarkably original record.
Bronze Medal: Zenyatta Mondatta by The Police
The last of the so-called early Police albums, Zenyatta Mondatta is simply a crisp record. A lot of this has to do with
Stuart Copeland’s able drumming, but the blonde trio had just about perfected their
special brand of punky reggae at this point. Their sense of humor was still
intact but the group was starting to mention real issues such as bombings of
Afghanistan (“Bombs Away”) despite the danceable rhythms. “Man in a Suitcase”
reflects the busy schedule of the band at the time, and though it’s a cute and
catchy, conflict about this and other issues would soon mark the end of the
Police. Fortunately, they left behind a handful of fine releases such as this one.
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